The artwork "Study for the Apotheosis of a Saint for San Bernardino dei Morti Milan" by Sebastiano Ricci is a compelling testament to the artistic virtuosity that marked the early 18th century. In this study, the artist does not merely prepare a project for a monumental piece; he invites us to immerse ourselves in a universe where light and color intertwine to evoke a transcendent spirituality. This piece, both technical and poetic, reflects the aesthetic concerns of its time while foreshadowing future developments in Baroque art. Contemplating this study, the viewer is immediately transported to a world where the sacred and the profane meet, illustrating the central role of art in the culture and faith of the era. Style and uniqueness of the work The originality of the study lies in its bold use of light and vivid colors, which seem to dance across the canvas. Ricci masterfully employs chiaroscuro techniques, creating striking contrasts that bring the human figures and architectural elements to life. The flowing drapery, which envelops the saints in an almost kinetic dynamic, demonstrates meticulous attention to detail. Each brushstroke appears charged with emotion, inviting the viewer to feel the spiritual depth of the scene. The composition, though preparatory, already reveals mastery of space and movement, characteristic of Baroque style. The way the characters are arranged, along with the chosen perspective, reflects a thoughtful approach to visual storytelling, where each element has its place and significance. The artist and his influence Sebastiano Ricci, an emblematic figure of Venetian Baroque, successfully combined tradition and innovation throughout his career. Trained in the workshop of great masters, he quickly developed a style that was uniquely his own, blending rich colors with striking expressiveness. His influence extends well beyond his era, inspiring many artists who sought to capture the essence of light and movement. Ricci has