The Self-Portrait by Carl Moll is an iconic artwork that invites viewers to delve into the artist's intimate and personal universe. Created at the end of the 19th century, this self-portrait stands out for its psychological depth and its ability to capture the very essence of artistic identity. By depicting himself, Moll does not merely reveal his face but offers us a glimpse into his soul, his thoughts, and his emotions. This painting, subtly blending realism and expressionism, serves as an entry point to understanding an artist who managed to leave his mark on his era while remaining true to his own artistic convictions. Style and uniqueness of the work The style of Carl Moll's self-portrait is characterized by a rich and nuanced color palette, evoking an atmosphere that is both melancholic and introspective. The brushstrokes, delicate yet assertive, create a vibrant texture that brings the canvas to life. The artist masterfully uses light, illuminating his face in a way that seems almost supernatural, while shadowed areas enhance the mystery of his expression. This play of light and shadow is not merely a pictorial technique but a true reflection of the duality of the human soul. The self-portrait is not limited to a simple representation of oneself; it becomes an exploration of the complex emotions that inhabit the artist. Every detail, every nuance of color, every brushstroke tells a story—the story of a man in search of his identity within a rapidly changing world. The artist and his influence Carl Moll, a major figure of the Viennese artistic movement, established himself as a pioneer by blending tradition and modernity. Influenced by the great masters of the past while incorporating the innovations of his time, Moll contributed to shaping the artistic landscape of his era. His work is not limited to his personal production but is part of a broader dialogue with his contemporaries, such as Gustav Klimt and Egon Schiele. The self-portrait, in particular, bears witness to this desire to transcend conventions while remaining rooted in a tangible reality. Moll reminds us that