In the vast panorama of early 20th-century American art, Charles Demuth's work stands out for its remarkable ability to blend abstraction and figuration with finesse. "I've seen the number 5 in gold" presents itself as an emblematic piece of his style, offering an immersion into a universe where geometry and color meet to evoke deep emotions. Through this canvas, Demuth does not merely depict a simple reality; he invites us to explore the subtleties of human experience through bold composition and vibrant nuances. This work, both personal and universal, bears witness to a time of great change, where art liberates itself from conventions to embrace new forms of expression. Style and uniqueness of the work Demuth's style, deeply rooted in the modernist movement, is characterized by a unique approach to color and form. In "I've seen the number 5 in gold," sharp lines and geometric shapes intertwine to create a captivating visual dynamic. The artist uses vivid hues and striking contrasts, transforming the number five into an almost monumental figure. This choice of subject, both mundane and symbolic, opens the door to reflection on perception and interpretation. By incorporating elements of everyday life into his art, Demuth manages to transcend the simple object to evoke broader themes such as time, memory, and identity. The composition, both balanced and bold, demonstrates technical mastery that makes this work a centerpiece of American modernism. The artist and his influence Charles Demuth, a central figure in his era's artistic scene, established himself as a pioneer of modernism. Influenced by movements such as cubism and fauvism, he developed a style that is uniquely his own, characterized by a particular focus on color and light. His work was also shaped by encounters with other renowned artists, such as Marsden Hartley and Edward Hopper, who helped shape his artistic vision. Demuth captured the essence of his time, addressing