In the fascinating universe of art, some works transcend the simple frame to become windows into forgotten worlds. The art print of the common marmoset or white-snout marmoset Callithrix jacchus Galeopithecus marmoset - Anselmus Botius de Boodt is one of those pieces that captivate the imagination. This painting, emblematic of the Renaissance period, immerses us in a universe where nature and art meet with delicate harmony. The artist, in immortalizing the features of this small primate, invites us to reflect on the beauty of biodiversity and our relationship with wildlife. The meticulous depiction of the animal, with its striking details, evokes a time when the observation of nature was at the heart of artistic concerns. Style and uniqueness of the work Botius de Boodt's style is distinguished by meticulous attention to detail and a subtly nuanced color palette. In this work, the marmoset is depicted with a precision that reveals not only its physical appearance but also its character. Every hair, every shadow, every reflection in its eyes is rendered with such fidelity that one could almost hear the rustling of its fur. This realistic approach is part of a tradition that values direct observation of nature, while incorporating a symbolic dimension. The marmoset, as an animal, becomes a metaphor for curiosity and wonder in the face of wild life. The work is not just a simple portrait; it is a celebration of life and an invitation to contemplate our place in the natural world. The artist and his influence Anselmus Botius de Boodt, artist and naturalist, is an emblematic figure of the 17th century, whose work was marked by a deep interest in zoology and botany. His artistic approach is deeply rooted in natural sciences, which sets him apart from many contemporaries. As a keen observer, he was able to combine his scientific knowledge with a sharp sense of aesthetics