In the artistic panorama of the 17th century, the art print "Allégorie d'Éléonore Hedvige 1636-1715 Couronnée par Minerve" by Jürgen Ovens stands out for its symbolic richness and visual refinement. This emblematic piece, created in honor of the illustrious Éléonore Hedvige, wife of John George of Saxony, embodies both power and wisdom—themes dear to Baroque art. The composition, where the figure of Minerva, goddess of wisdom, crowns the noble lady, evokes a celebration of feminine virtues and intellect, while incorporating elements of grandeur and authority. This work invites the viewer to immerse themselves in a universe where art and power intersect, thus revealing the aspirations and values of its time. Style and uniqueness of the work Jürgen Ovens's art print is characterized by an exceptional mastery of colors and textures, elements that confer unparalleled depth and vibrancy to his compositions. In "Allégorie d'Éléonore Hedvige," the color palette chosen by the artist, ranging from golden tones to darker shades, creates an atmosphere that is both solemn and luminous. The sumptuous drapery of the characters' clothing, as well as the meticulous details of the accessories, testify to a concern for realism and a particular attention to the depiction of materials. Ovens manages to balance baroque exuberance with refined delicacy, offering a piece that, while grandiose, maintains a certain intimacy. The posture of Minerva, both protective and majestic, accentuates the unique character of this allegory, making this work a true masterpiece of its time. The artist and his influence Jürgen Ovens, born in Denmark and primarily active in Germany, is a prominent figure of Northern Baroque. His work is part of a tradition where painting is not only a means of aesthetic expression but also a vehicle for political and social messages. Ovens has established himself through his distinctive style, blending